We didn’t get a tree this year – even a baby one in the garden centre was £30 and we really don’t have the space. So instead I just bought a couple of large fir branches (£2.50 each), popped them on the fireplace and adorned them with lights and baubles. I think it looks just as pretty and festive as a whole tree!
I got the little horse and sausage dog from Jonathan Adler in the sale earlier this year – they are actually supposed to be Christmas tree ornaments but I keep them up all year.
Muji candles are my favourite: they cost like £3 each and smell gorgeous.
I found the berry twigs on the pavement after someone had cut their bushes – free decorations for the win.
The cotton and pussywillow are there year-round but I stuck some baubles on them too.
I made my cards this year using my loaned Cricut machine (first blogged here). There are tons of pretty Christmassy designs available so I picked out these ones and simply stuck them onto decorative paper (leftover wrap and some Japanese washi paper). Super quick but effective.
Have you heard of Cricut? (Pronounced like ‘cricket’, not ‘cry-cut’, by the way.) They make at-home cutting machines for crafters and makers – it’s basically like a printer but with a blade, and you can cut a variety of materials to make loads of different projects.
Cricut invited me along to an introductory day a couple of weeks ago at the lovely Homemade London in Marylebone, to meet the team and get a hands-on demo of the machines and see what can be made with the results.
Here are some of the demo products. The machine can cut card, vinyl and iron-on transfer material, so you can make projects as diverse as die-cut greeting cards, jar or wall decals and cushion or T-shirt designs.
The machine comes with a sticky-surfaced cutting mat, which you attach your material to and gets fed in like a regular printer. You also need access to the online Craft Room, the software you use to put together the designs. With some machines you can make your own designs from scratch, but with the Mini you use designs from Cricut which are purchased in themed packs. If this sounds limiting, it actually isn’t because the packs have a vast variety of designs, and you can also put together shapes and letters and merge them into one piece.
Here’s how the software looks. You basically have an onscreen replica of your cutting mat which you load up with designs. You can resize, rotate and merge the shapes before sending to be cut.
Here’s what I made in our taster session. Everyone needs a spangly fox cushion, right? Cricut kindly sent me a Mini and some materials to have a go at home as well. I was worried I wouldn’t remember how to do everything properly, but the setup and software are all pretty straightforward really. So I’ll be sharing some more projects I’ve made using this cool little machine soon.
I know my blog’s been quite sewing-heavy recently, and I had a couple of comments asking how I got started and if I had any tips on where to begin. It’s kind of a tricky one to answer because sewing has been in my periphery for quite a few years and I can’t really remember what inspired me to start and how I learned, but I’ll try to help!
My sewing story
I started sewing on my mum’s machine at home in the summer before going off to university (ten years ago, woe). I’d mostly do t-shirt ‘reconstructions’ where I’d buy vintage shirts from Pop Boutique or the charity shop and cut them into something more fun. Here’s a couple of those old shirts on skinny little baby me.
I got sufficiently into it that I bought myself a fairly cheap overlocker – that’s the machine that makes sewing stretchy fabrics like t-shirt jersey much easier and gives pro-looking finished seams to garments. I can’t find the exact model any more but it’s something like this one. It’s getting on for ten years old now and still going strong.
But then I went off to uni sans machines and didn’t really think about sewing much again until fairly recently when classes at Ray Stitch and the Make Lounge piqued my interest again. This coincided with the Great British Sewing Bee bringing sewing onto national telly, and a huge recent rise in quality home sewing blogs and indie pattern designers offering endless inspiration.
Get the gear
If you’ve never used a machine before, buy a fairly entry-level one to start off with. You’ll only really need back & forward and zig-zag stitches to get going; expect to spend £100-200. I’ve got a slightly more swish computerised Janome DC3050 which I’ve been very pleased with.
You’ll also need the obvious miscellaneous items like fabric and paper scissors, large headed pins, hand sewing needles, threads and a seam ripper. Definitely a seam ripper. Cute little vintage storage box optional.
Start with some basic projects like cushion covers, tote bags and other little projects to get a feel for stitching before moving onto garments and deciding if an overlocker is worth your investment – it’s by no means a requirement, even for clothing. Look online for tutorials to follow: here are a few I’ve seen lately:
Or try some of the billion books out there. Here are a few I own and recommend:
Do a class
Consider doing a class if you can afford it and have a place nearby. I find it invaluable to actually do something alongside other people and have an expert there to ask if you get stuck. My favourite craft haven The Make Lounge is sadly closing up soon, but have a look at the great list Jennifer made of alternative venues in London. I can highly recommend the classes at Ray Stitch first hand.
That’s it really! Sewing is a fairly easy hobby to get into at an entry level, but I also find it incredibly satisfying to always be learning new, more advanced, techniques and finding that practice does pay off. Feel free to ask in the comments if you have any more questions, I’d be happy to help. I’ll also do a post soon on my favourite online resources for fabrics, patterns etc.
By the way, I’ve started a separate blog for all my sewing adventures at whatkatiesews.net. I’ll probably still post an overview of my makes here too, but there’s all sorts of in-depth sewing-specific geekery that felt out of place here. So please pop over there and follow me if you want to keep up with my sewing makes in full.
I might be biased because I share a studio with them, but The Amazings is a fantastic startup with a creative and socially-aware bent. They offer classes, courses and workshops on subjects as diverse as woodworking, philosophy and bike maintenance, and all the teachers are 50-plus elders with amazing life experience.
Last month I went along to one of their classes – a hand-built clay pot taught by Amazing Lesley, held in her workshop right here in Stoke Newington.
Firstly, thank you so much for all your comments and messages about Yoni. It was amazing to hear what a loved little cat he is from all corners of the internet, and hearing from you really did help me get through the days. He’s back home now, slowly getting used to normal life again with an extra big dose of love and support from us.
As promised, here are the things I made during my anxiety-induced sewing spree while he was in the vets.
First, a pair of jazzy culottes! I love culottes: the practicality of breeze-resistant shorts with the cuteness of a little flippy skirt is a winner to me. The pattern is the new Megan Nielsen Tania culottes, bought from M is for Make.
The pattern was really fun to put together – it felt almost like magical origami creating the pleats and crotch with simple folds and lines of stitching. The only thing I mucked up is the waistband with some wobbly topstitching – I might unpick and redo it neater. I also haven’t properly finished the bottom edge yet because I’m terrible at hemming, so it’s just overlocked for now.
The fabric is a vintage piece of 70s polyester with a gorgeous Scandinavian-looking mountain print. I love how the patten drape makes the peaks point up and outwards, a little reminiscent of fireworks. Just don’t make the mistake I did of ironing interfacing onto polyester with a hot iron – I burnt a clean plastic-scented hole through my first waistband piece, and luckily had just enough fabric to cut another. I’ll definitely be using this pattern again; in fact I’ve just bought some jersey that I think will make a great no-zip-required version.
(Excuse my face, I appear to have the dead eyes of someone who’s been worrying for three weeks straight..) This is another Scout, although radically different from my last one. The front is made from a vintage silk scarf, which was happily just the right size for the pattern piece. The sleeves and back are the same grey jersey as my ballet dress. Very pleased that this turned out just how I imagined it. The Scout tee is such an amazing pattern: so simple but hangs so well despite having no darts or shaping, and the possibilities for creative variations are vast.
Finally, a fail. I tried to take photos but they looked too awful to share! It was supposed to be a Sureau dress by Deer & Doe, made from a super soft piece of vintage cotton with an abstract tulip print, above. It seems in sewing that lots of small mistakes can add up to a big mess of a garment, which sadly I think happened here. I chose a size too big so the fit isn’t quite right. The neckline was gaping so I attempted a shoulder-line fix, then added a half collar which sits wonkily. The sleeve caps billow at the back. The skirt twists annoyingly to the side. I’m not sure if I’ll try and fix it some more, or cut it down into a skirt maybe. It would be a shame to waste the pretty fabric completely. Perhaps I should start making toiles before cutting the real fabric.
All of the fabrics came from The Shop on Cheshire St, which I visited with Jen one lunchtime (check out Jen’s blog for some much better photos and info, this unprepared blogger didn’t have her camera). It is indeed the treasure trove that countless bloggers promised: walls lined with shelves of vintage fabric, with even more stuffed into drawers and baskets underneath which you’re encouraged to rummage through. There’s everything from recycled curtains to half-finished handmade skirt pieces, plus loads of large pieces of 2-4 metre long cottons and polys, perfect for skirt or dress projects.
There’s also a great line in vintage notions, and basket upon basket of vintage silk scarves at around a fiver a pop. At the back are curtains, cushions and clothing and there’s also plenty of knitted scarves and crochet blankets. Prices are eye-poppingly amazing, ranging from a few quid for the smaller bits to no more than £15 for larger pieces (my take-home stash that made everything in this post was only £18). You’d be hard pushed to find such a lovely variety of prints in new fabrics for those kinds of prices. Find The Shop at 3 Cheshire St just off the top of Brick Lane – I’ll be back to replenish my stash very soon.