Category Archives: craft

IMG_2909

South Indian cooking at Food at 52

I bought Josh a South Indian cookery course day at Food at 52 for his birthday last month. It sounded so good that I bought myself a ticket too! South Indian food is one of my favourites – and it happens to be largely vegetarian – but I’ve never been able to master a good curry at home, so I was desperate to pick up some tips.

The class’s menu did include one prawn dish but was otherwise veggie and I recognised a few of the dishes from my favourite Keralan restaurant Rasa. The day class covers a mighty ten dishes, including chutney, snacks, sides and a mix of dry and saucy curries.

We began by splitting into two groups – the class is a snug 8 people – and preparing the spice blends for the various curries. This stage involved lots of measuring and frying off the base spices, which usually include some combination of cumin seeds, mustard seeds, asafoetida (an orangey powder with a leek-type flavour), and curry leaves.

As a warm-up we made the prawn and paneer curry first, by simply adding coconut milk to the fried spices for a subtly-spiced, warming curry dish. We then got to work on the other dishes, which included a beetroot pachadi with grated coconut and a green bean thoran, a dry curry flavoured with cumin seeds, tamarind paste and chilli. We even prepped some vadai, a doughnut-shaped snack made with lentils and spinach.


After all our hard work we were led upstairs to relax with a glass of wine for a bit, while the table was prepared for us to try our dishes out. The space, situated on Central St about halfway between Old Street and Angel, has fun eclectic decor with the cosy, welcoming feel of someone’s home.



The final feast was a colourful spread and everyone agreed all the dishes were delicious. My favourites were the paneer curry and heavenly lemon rice, given substance by the addition of cashews, crunchy dal and tindori, an Indian vegetable a bit like a gherkin. In fact I’ve already re-made them both at home, for my parents no less, which went down extremely well.

The day classes at Food at 52 are quite pricey, but it was a brilliant fun day and we feel equipped with lots more skills and knowledge to carry on making curries at home. They also offer shorter, cheaper evening classes across cuisines including Vietnamese, Thai and Italian.

screenprinting

Screenprinted cushions

Screenprinting

It’s been far too long since I crafted anything – I miss it. So this morning I literally dusted down my sewing machine and whipped up these little cushions.

Screenprinting

I printed the designs on Wednesday night at The Make Lounge‘s superb beginners’ screen printing class taught by Helen Rawlinson, whose studio happens to be very near to me in Stokey. We used the paper stencil method: basically instead of faffing around with exposing your design onto a screen, you just cut the design from paper and lay it under the screen to act as a stencil. It also means you can re-use the blank screen for short runs of lots of different designs. I was really impressed that you could get such flawless results from this method so will definitely be trying some more printing at home.

The envelope backs use fabrics from my stash. A nice gentle project to ease me back into sewing… I want to tackle a patchwork quilt next.

Screenprinting

I made these bags in the class, too. Fun!

Screenprinting

P1010351

Letterpress workshop at Turnbull Grey

Lucky me – I mentioned to Josh months ago that I’d love to do a letterpress workshop, and he remembered and bought me a class for my birthday. It was held at Turnbull Grey in Clerkenwell, who are primarily a graphic design studio but also run letterpress workshops on the side.

The class was small (just three people and two tutors, the eponymous Angela and Chris) and informal: a quick history of letterpress was given along with a rundown of the process, then we were left to dream up a design and get printing.

Letterpress class
Letterpress class
Letterpress class

Dealing with the minutiae of setting 12px Baskerville with perfect tracking and leading this class ain’t: it’s more of a fun open workshop using big wooden type to create a graphic poster or postcards. The huge chest of wooden movable type was a treat to rummage through.

Letterpress class

After a practice run with a single character, I decided to print a poster with a short quotation: “Great design is transparent”. The process is pretty easy. Pick your letters and arrange in a pleasing formation inside the metal frame. Remember the words will print backwards (like I did not first time around).

Letterpress classLetterpress class

Plug the gaps so it’s all secure and align on the base of the letterpress machine. Turnbull Grey have two tabletop Adana machines along with this flatbed one. The Adana is easier to use and more mechanised, but the flatbed provides a better finish and can handle larger designs.


Letterpress class

Ink up a roller and roll over your type – a little ink goes a long way. For a sexy gradient effect, just roll two colours together. Align the paper on top and pull the rollers to press.

Letterpress class
Letterpress class

Here’s my final poster! I love the gradient effect, but it’s a shame you can’t really read the type behind it as I planned. Given another chance I’d definitely plan my design better.

Letterpress class

The 3-hour class at Turnbull Grey was so much fun, I highly recommend it as a brilliant introduction to letterpress printing in which you can muck around and have a try without splashing out on all the kit yourself. Check their site for the latest dates.

P1010327

Blog photo editing for lazy types

I thought it’d be interesting to share how I edit and grade photos for my blog, since I get a lot of nice comments on my photos. The secret is I’m really quite lazy with editing – I don’t shoot RAW and spend ages manually fiddling with exposure levels or anything, but a couple of minutes in Photoshop can make an average photo look a bit more special.

I’ll demonstrate on this snap I took while I was doing a letterpress class on Tuesday (about which more later…). Nice subject matter, but needs some work to make it pretty.

First thing when opening up my photo is to check the composition. I’m pretty OCD about making sure any horizon lines in my photo are straight and nothing’s cropped awkwardly off the edges. Usually just rotating the image is OK (using a ruler guide as a straight edge) but sometimes I use the distort tool to fix any off-balance perspective. This doesn’t really apply on this photo though.

Then I’ll crop to a pleasing composition, using 3:2 aspect ratio. But remember the more you crop the lower-resolution the image will appear, so it’s best to think about framing when shooting. I’ll also sometimes use the Smudge or Clone Stamp tools to brush out any details that are distracting to the composition.

Level and colour balance fixing next: hit cmd+J to duplicate the base layer, then apple-shift-L to run an auto-levels and apple-shift-B for auto-colour balance. Sometimes this effect goes a bit weird, so you can reduce its intensity by lowering the layer opacity letting the original image show through. Or sometimes manual level and curve fixing are required. Merge down the layers (cmd+E) when you’re happy with the levels.

Next the fun bit, grading. Grading refers to altering the colour tone of a raw photo, and it can dramatically alter the feel and effectiveness of a picture. I usually MEGA cheat on this step and use these brilliant prebuilt Photoshop actions by NellyNero (you can see lots more examples of the actions in use on her blog). If you haven’t used actions before, it’s really easy: just download the file and drag into Photoshop and they’ll appear in the Actions palette.

The NellyNero actions automatically duplicate your image and run the action in a new file, so you can tweak it (most have optional layers for extra effects) and then paste back into your original image. Again, I sometimes reduce the opacity on the action layer to make the effect more subtle.

Merge down, save, and finished!

Of course it helps to have a decent camera and a good eye, you can’t polish the proverbial…but I hope this was helpful, let me know if you have any questions and I’ll try to answer.

Quick diy Christmas cards

For more Christmas card craft ideas, click here

Christmas cards
diy Christmas cards

Two weeks today until Christmas! I spent a lazy Saturday evening, with Strictly on the telly and baked Camembert in the oven, making my cards and wrapping presents.

diy Christms cards
diy Christmas cards
diy Christmas cards
diy Christmas cards

The cards and tags are just basic shapes made from patterned washi tape and wrapping paper offcuts.

diy Christmas cards
diy Christmas cards

Here’s the best way to shape the washi tape: cut with a scalpel on a plastic board. It peels off quite easily for transfer onto the card.

diy Christmas cards
diy Christmas cards

Isn’t my Charley Harper birdie wrapping paper pretty? It’s on sale at Fred Aldous right now. All my other supplies were from there too (except the heart paper, which was from Daiso in San Fran), including MT patterned tape at the best prices I’ve seen. Yay Christmas!

bust

London Christmas craft markets

Get ready for a handmade Christmas – here’s a (non-exhaustive) list of festive craft fairs in London.

November 21st – Decmeber 10th: Handmade-Christmas at Exmouth Market

November 22nd to December 15th: Handmade in Tooting (and Crafty Pint market on December 3rd)

November 25-27th (Holborn) and December 2-4th (Deptford): Cockpit Arts Open Studios

December 3rd: North London Vintage market in Crouch End

December 1st – 24th: The Temporium by Dezeen, Covent Garden

December 7th – 11th – The Workshoppe, Clerkenwell

Deceber 10th: We Make Christmas, Battersea

December 10th-11th: The Crafty Fox Christmas Markets, Brixton

December 17th: Rich Mix Christmas Market, Shoreditch/Bethnal Green

Did I miss any? Leave a comment and I’ll add it!

Make your own: Jam and chutney

Aah, jam and chutney-making: one of those things that seems like an insanely complicated dark art until you actually try it, and realise it’s pretty much as easy as boiling an egg. I took a relaxed Saturday introductory class at the Make Lounge and emerged with fears debunked and four cute jars of tasty preserves to take home.

making jam & chutney

You don’t even need any special kit like sugar thermometers or fancy funnels: just a large heavy-based pan and some sterilised jars. Ingredients-wise nearly any fruit will do, along with sugar for gelling and vinegar for preserving, in the case of chutney. The tutor Chloe explained to us that high-pectin fruits can take normal sugar whereas lower-pectin fruits like strawberries need a little help with special jam sugar. During the afternoon-long class we made 4 recipes; two sweet jams and two savoury chutneys – the basic process is pretty much the same.

making jam & chutney
making jam & chutneymaking jam & chutney

The process itself basically involves lots of chopping (a team of about ten of us took the best part of half an hour chopping 4kg of red onions!) then a lot of stirring and waiting for the jammy magic to happen. Luckily this involves bread, cheese and cider when done Make Lounge style.

making jam & chutney
making jam & chutney

While they bubbled away we got crafty decorating the jars with ribbon, fabric and sticky-backed plastic.

making jam & chutney
making jam & chutney

I think the idea with these sweetly-dressed-up jars was to give them as Christmas gifts, but I didn’t waste much time digging in and having a try. Purely in the interests of quality control, you understand…

making jam & chutney
making jam & chutney

The caramelised onion chutney is my favourite, and it felt well-deserved after chopping all those onions! I used up most of the jar making this near-instant dinner: just add the jam to shortcrust or puff pastry and top with feta or goat’s cheese for speedy caramelised onion tarts.

making jam & chutney

And I’m not usually a fruity jam kind of person because I don’t have much of a sweet tooth, but this homemade blackberry and apple tastes truly sharp and bursting with berry fruit flavours, unlike any bought jam I’ve ever tried. I bet it’d be amazing in a sweet pastry tart.

making jam & chutney

We also made plum, orange and cinnamon jam and a sweet chilli chutney which I’m yet to sample. I’m really excited to have a go myself now and make some to give as Christmas presents.

There’s new dates for the Make Lounge workshop coming up soon, so keep an eye on the site for details.

OLYMPUS DIGITAL CAMERA

Gocco class with Printed Wonders

Print gocco class

Help, I think I’m addicted to craft classes. There’s just something about spending an evening making a mess (in someone else’s space), learning a new skill, meeting lovely people, and coming home with some ace handmade goodies that I just can’t resist. There’s usually cake and/or wine involved too which always helps.

Print gocco class
Print gocco class

My latest adventure was a print gocco class held by Xtina Lamb as part of the Printed Wonders exhibition at Clerkenwell’s Craft Central.

Print gocco class

Gocco is a Japanese-made home printing system which is a little like screenprinting but, in true Japanese fashion, much more neat and efficient. It comprises a plastic box with a lamp to expose your mesh printing screens, and a flippy screen inside in which you do the actual printing.

Print gocco class

Xtina gave us a rundown of the machine and some pointers on what kind of designs work best for gocco – they need to be solid blacks and whites and made of a carbon-based ink so that the mesh reacts correctly to create an exposure. You can use some home printers, photocopiers, riso pencils or Sharpie markers to create your art. I ran out of time to think of anything fun to print so just used the graphic I made for my blog…

Print gocco class
Print gocco class

The meshes come pre-loaded with photo-sensitive emulsion, so it’s just a question of loading up the machine and fitting the single-use bulbs in..

Print gocco class

Press to flash the bulbs, and the screen is done! Much easier than messing with emulsion and thermal imagers like normal screen printing. (Thanks Leona for taking this action shot – check out her blog post abut the class here.)

Print gocco class

You can print using the gocco itself too, but we used the squeegee method usually used for screen printing – it works great for gocco screens. After a few practice runs I had a little production line going…

Print gocco class
Print gocco class

I made some little promo postcards with my site logo, and also put it on some cute coloured notebooks. I’ll be popping some randomly into my Etsy shop orders until I run out!

Print gocco class
Print gocco class
Print gocco class

Some of my classmates’ work. I was pretty envious of Kat Hannaford‘s gorgeous hand-drawn kitty!

Print gocco class

Sadly gocco is a dying art because the Japanese company that makes the machines and materials has decided it isn’t commercially viable to produce them any more. So lots of people are snapping up supplies while they can – but a basic model with a good starter set of supplies can still be grabbed on eBay for around £150. You can also get supplies from this Australian site. I’m ever so tempted but do I really need another hobby?! (Yes, is the answer.)

If you fancy a try at gocco yourself, Xtina Lamb is running a day workshop on July 2nd, check out Facebook for details.


Share this entry with this shortURL: http://whatkatiedo.es/gocco

Silver clay class at London Jewellery School

Silver clay jewellery class

I was invited by the London Jewellery School to try out one of their taster classes, so I jumped at the chance to try working with precious metal clay (PMC). I’ve seen it around the internet and have been intrigued by the possibilities it offers to make jewellery in real silver without the need for traditional silverworking skills and tools. It can be shaped like polymer clay, but contains silver particles with water and binder – the other bits burn off when fired leaving a pure 999 (purer than regular 925, even) silver charm.

Silver clay jewellery class

The lovely tutor Chu-Mei started by giving us a quick history of PMC, its properties and uses, then she demonstrated how to use cutters and textures to make a small charm. There are many ways to shape the clay, from cutters and moulds to drawing freehand shapes, and anything from leaves to leather can be used to add texture.

Silver clay jewellery class
Silver clay jewellery class

I decided to go freehand, cutting a button and feather shapes from my clay (playing cards are used to transfer the shapes and as a rolling thickness guide). You have to work fast because the clay dries out quickly with handling and exposure to air. Our shapes went onto a hotplate to dry out (you can also use a low oven), then a hole for the jump ring is drilled using a fine drill bit. Then Chu showed us two ways to fire the charms – either the traditional kiln method or a more DIY method with a kitchen blowtorch, which only takes around 2-3 minutes.

Silver clay jewellery class

This was the exciting part. After firing, the shapes are still matte white but after a quick polish they magically become shiny solid 999 silver! There were tons of oohs and aahs as people unveiled their new jewellery charms. My efforts are a little rustic but for a first try I’m very happy with them. The best part is that the process is completely achievable at home using fairly everyday materials, and I had two lovely wearable charms to take home at the end of the class.

Silver clay jewellery class

You can pick up PMC from beading supply shops and eBay. The raw material is pretty expensive, but there’s absolutely no wastage as unused clay or broken pieces can be ground back down and mixed with water to create new clay. I’d definitely recommend the London Jewellery School‘s taster classes as a great way to try out the process without spending much money (the PMC class is £35 including all materials), and they offer lots more advanced classes if you’d like to learn more.


Share this entry with this shortURL: http://whatkatiedo.es/pmc-class